Category Archives: things I'm working on

Really Big Woodcut Prints

Sometimes invitations that appear in my inbox are too tantalizing to hit “delete”.  About six months ago, I received a “Call For Artists” for an event called “Really Big Prints” in Manitowoc, Wisconsin.  It was described as an opportunity to create a huge (3’x 5′) woodcut print and have it printed by a steamroller!

steamroller

The thought of seeing a steamroller re-purposed as a press to create huge works of art was irresistible.  Being inexperienced as a woodcut artist, naturally, I jumped at the chance(!)  I conferred with my experts, who were generous with their knowledge and time:  Ellen Holtzblatt, who makes exquisite woodcuts; and Alex, the owner of McClain’s Printmaking Supplies.

The event requests that each artist (there will be 45 working over 5 days) create an edition of 4-5 prints and donate one copy to the Rahr-West Art Museum in Manitowoc.

I did the drawing and carving in 3 1/2 days.  My cutting marks improved as I got a feel for the tools, and gained some fluidity and expressiveness.  The final day I started at 10 a.m. and finished at 8 p.m., and didn’t feel the day pass by.  Carving is wonderfully addictive; what a joy to lose myself in work that way, and have the calluses on my hands to show for it.

I will post again after the event, with photos and videos.

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Artists’ Blog Tour

BLOG TOUR . . .

Studio of Judith Joseph, 6-2-14

Studio of Judith Joseph, 6-2-14

A wonderful artist and compassionate spirit, Catherine Meyers, from Catherine Meyers Art Blog,  invited me to participate in a Blog Tour.  It’s been going on for a while, with many wonderful studios involved!  So in order to participate, I’ll answer a few questions and then introduce the next couple of artists who will be the next stops on the Blog Tour.

What am I working on?  I have been creating works of calligraphy and illumination.  I specialize in the Ketubah (illustrated Jewish marriage contract, a folk art.)  Since marriage season is in full swing, I’ve been busy writing out texts by hand in calligraphy with hand-painted, customized illustrations.  I’ve also been producing art for reproduction, where the image is printed with a digitally-produced text that I generate in a graphics program.  Here are some recent works:

I also participated in a gallery show in March at ARC Gallery called Fractured Yet Rising, about violence against women, where I hand-wrote one of my poems on the gallery wall.

How does my work differ from others of its genre?  I think of myself as a painter who includes calligraphy, rather than a calligrapher who decorates text.

Why do I write/create what I do?  I was raised in a family environment that was richly steeped in my Jewish cultural heritage, and text (reading lots of books, learning to read and write Hebrew as a child) was a big part of this.  So, it seems natural that text would be an integral part of my artistic expression, along with narrative imagery.  I also am a people person, and I find the collaborative aspect of my work to be very joyous and inspiring.

How does your writing/creating process work?  My commissioned work begins with people requesting a ketubah.  I interview them and sketch, which leads to the finished work.  For work I produce independently, I work with ideas or materials that engage me, and this feels more like play.

Ghost Scroll, cut and painted,mixed media, 3' x 4'.  Judith Joseph, 2014.

Ghost Scroll, cut and painted,mixed media, 3′ x 4′. Judith Joseph, 2014.

So, now you know a little more about me, let me introduce you to the next amazing artists in the tour.

Peggy Schutze Shearn is a Chicago area painter whose work incorporates letterforms, abstract calligraphy and text into colorful semi-abstractions.  Her sense of color and pattern is gorgeous.

Nancy Charak is a committed abstract expressionist who makes paintings and drawings in Tucson, Arizona, recently transplanted from Chicago.  Her watercolors are sensitive and reflective of nature.

Letterforms prominent in “Fractured Yet Rising” exhibit at ARC Gallery

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“Fractured Yet Rising” is a juried multi-media exhibition of works on the subject of violence against women.  In addition to works submitted by artists, the artist-members of ARC, a women’s co-op gallery, worked with residents of a domestic violence shelter on collaborative pieces, giving voice to their experiences.

Dates:  March 5-29, 2014.  Details here.

Judith Joseph Solo Exhibit in New York

The Jewish Art Salon and the Kraft Center present:  Get Lucky:  Amulets and Ketubah Art by Judith Joseph.

amulet_water


 Art Exhibit curated by organized by the Jewish Art Salon.

Contact: Yona Verwer jewishartsalon@gmail.com  917-447-8567

Location: The Columbia / Barnard Kraft Center, 606 West 115th Street, New York, NY 10025

Date: Thursday April 18, 2013

6 – 7 PM Opening Reception, Free & Open to the Public

7 – 8 PM Panel Discussion Still, Small Voice in a Noisy World: Jewish Heritage and Contemporary Art. Panelists: Judith Joseph, Alison Kruvant and Isaac Peterson, moderated by Buzz Slutzky.

Exhibit Hours: April 18 – May 20, Sunday – Thursday 9-8, Friday 9-1.

The art of Judith Joseph springs from illuminated manuscripts:  decorated, hand-written texts.  She loves miniature medieval illustrations with their quirky, often bizarre imagery that ranges from holy inspiration to bawdy violence.  Her love of letters encompasses both their calligraphic form and the story they tell.

She started making ketubahs (hand-written, decorated Jewish marriage contracts) at the age of 17, beginning a journey with this art form that has lasted decades and produced some 500 commissioned, original works.  She has grown up with the ketubah, and it has grown with her.

Judith’s paintings often contain Hebrew lettering.  Her series of hamsa (amulet) paintings began when she painted one for each of her three adult sons, when they moved far from home. She used unstretched canvas, so the paintings could be easily rolled and transported from place to place. She used thehamsa symbol: a hand blocking the evil eye, an ancient image found in Mediterranean countries.  The hamsa is often worn during childbirth. 

Judith believes in the power of images as a way to focus our intent and will, and the power of words to guide us. Each hamsa image is encircled with a ribbon containing Hebrew inscriptions of the names of archangels (Michael, Raphael, Yuriel, Uzziel, Ezriel, etc.) The letters create a dynamic, dancing border, stand-ins for human beings, as we are expected to create a “fence around the Torah.” (Pirke Avot, 1.1)

More project info:

Jewish Art Salon (with web images): http://www.jewishartsalon.com/2013/03/get-lucky-amulets-and-ketubah-art-by.html

Directions: #1 Train to 116 St, Buses M4, M5, M104 to 116 St. M60 Bus from 125 St Metro-North.

606 West 115th Street, just west off Broadway.

The Jewish Art Salon is a global community of artists and art professionals. It organizes exhibitions, panel discussions and programming with leading international artists and scholars, in order to create an appreciation for innovative Jewish art in the contemporary art world.

http://jewishartsalon.com

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Yona VerwerPresident, Jewish ART Salon
http://jewishartsalon.com

Seasoned Painters Step Outside Their Comfort Zone

… and try painting with egg tempera, instead of their usual media (oil, acrylic).  It was a joy to share my favorite medium with my critique group (Ellen Holtzblatt, Monica Sageman, Gabriella Boros, Colleen Cox and Jackie Eddy.)  We enjoyed the hospitality of Cindy Jevon’s PerficalSense Studio and Art Salon.

Egg tempera can be purchased in tubes, but the traditional (and most rewarding) way to use it is by mixing pure pigments (the color ingredient in all paints) with the yolk of an egg on a glass palette.  A little water is added to thin the paint, and the result is a brilliantly vivid, water-soluble paint that allows for transparent glazes and layers, opaque paint when desired and incredibly fine lines for detail.

Here are some examples of how I have used egg tempera:

… more can be seen on my website.

Sunrise Ketubah

Sunrise Ketubah

I just finished this ketubah.  It makes me yearn for little spring buds and new green leaves.

Sailing Ketubah

Sailing Anniversary Ketubah

I just finished this ketubah for an anniversary celebration.  (See my preliminary sketch here.  The original sketch included their Briard dogs, but we decided to leave them out. )  It was commissioned by a couple who spend much of their time sailing on Lake Michigan.

Working on it brought me back to my sailing days.  I learned to sail at Camp Ramah in Canada, and worked there as a sailing instructor.  I went on to teach sailing lessons at the Hoofers Sailing  Club at the University of Wisconsin-Madison.  I tried to capture the power of the wind in the sails, the rhythm and rocking of the waves and the freshness and energy of being out on the lake on a sail-boat.  (See more of my ketubahs here.)