Tag Archives: artistic heritage

Glass Half Full

Now on view at The Art Center, Highland Park, through Jan. 31, 2015.

Glass Half Full, egg tempera and gold leaf on panel, 16" x 20", 2014, by Judith Joseph.

Glass Half Full, egg tempera and gold leaf on panel, 16″ x 20″, 2014, by Judith Joseph.

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Sunrise Ketubah

Sunrise Ketubah; 18" x 24", acrylic on paper.  Simpler custom ketubah, digitally printed text, hand-painted decoration.

Sunrise Ketubah; 18″ x 24″, acrylic on paper. Simpler custom ketubah, digitally printed text, hand-painted decoration.

Artists’ Blog Tour

BLOG TOUR . . .

Studio of Judith Joseph, 6-2-14

Studio of Judith Joseph, 6-2-14

A wonderful artist and compassionate spirit, Catherine Meyers, from Catherine Meyers Art Blog,  invited me to participate in a Blog Tour.  It’s been going on for a while, with many wonderful studios involved!  So in order to participate, I’ll answer a few questions and then introduce the next couple of artists who will be the next stops on the Blog Tour.

What am I working on?  I have been creating works of calligraphy and illumination.  I specialize in the Ketubah (illustrated Jewish marriage contract, a folk art.)  Since marriage season is in full swing, I’ve been busy writing out texts by hand in calligraphy with hand-painted, customized illustrations.  I’ve also been producing art for reproduction, where the image is printed with a digitally-produced text that I generate in a graphics program.  Here are some recent works:

I also participated in a gallery show in March at ARC Gallery called Fractured Yet Rising, about violence against women, where I hand-wrote one of my poems on the gallery wall.

How does my work differ from others of its genre?  I think of myself as a painter who includes calligraphy, rather than a calligrapher who decorates text.

Why do I write/create what I do?  I was raised in a family environment that was richly steeped in my Jewish cultural heritage, and text (reading lots of books, learning to read and write Hebrew as a child) was a big part of this.  So, it seems natural that text would be an integral part of my artistic expression, along with narrative imagery.  I also am a people person, and I find the collaborative aspect of my work to be very joyous and inspiring.

How does your writing/creating process work?  My commissioned work begins with people requesting a ketubah.  I interview them and sketch, which leads to the finished work.  For work I produce independently, I work with ideas or materials that engage me, and this feels more like play.

Ghost Scroll, cut and painted,mixed media, 3' x 4'.  Judith Joseph, 2014.

Ghost Scroll, cut and painted,mixed media, 3′ x 4′. Judith Joseph, 2014.

So, now you know a little more about me, let me introduce you to the next amazing artists in the tour.

Peggy Schutze Shearn is a Chicago area painter whose work incorporates letterforms, abstract calligraphy and text into colorful semi-abstractions.  Her sense of color and pattern is gorgeous.

Nancy Charak is a committed abstract expressionist who makes paintings and drawings in Tucson, Arizona, recently transplanted from Chicago.  Her watercolors are sensitive and reflective of nature.

East vs. West

Egret, by Regina Siske

“I am totally captivated by the beautiful, challenging art form of Asian brush painting.

‘The rhythmic ritual of grinding my own ink feels very meditative.  It prepares me to paint with a certain calm and presence, while connecting me to the daunting knowledge of a ritual that was practiced 4000 years ago.

‘The spirituality of Asian painting is an inspiration in its reverence for nature, from the most imposing mountain to the tiniest insect.  It is permeated with a spirit of gratitude– starting with the ink, brushes and hand-made papers.  It is said that an old brush is never thrown away, but reverently buried.

‘Studying with local teachers and international masters has been an evolution for me, as each teacher imparted his/her lessons of essential brush-strokes, which grew out of traditional Chinese calligraphy.  In the beginning, I tried to emulate the style of my teacher, in the old Asian tradition of learning.  Now, I am finding my own way, my own style and my own ‘landscapes’”….  Regina Siske, artist

Reggie is a friend of mine.  In the spirit of this blog, I have been helping her prepare for a solo exhibition of her paintings this summer, providing “technical support for a creative life.”  This took the form of designing her postcard and business card, photographing her work and digitally correcting the photos, uploading her work to a website, providing editorial feedback on her artist’s statement and bio, etc.

As I listened to her read her artist’s statement, I was struck by the dignity and beauty of her words, and how these qualities are mirrored in her paintings.  In an elegant way, she describes the humility and reverence with which one approaches Asian brush painting.  As a Hebrew calligrapher whose work is also tied to an ancient tradition, her words resonated with me.  For years, I refrained from signing my ketubahs (decorated Hebrew marriage contracts).  I felt that I was a link in a long chain of scribes who wrote Torahs and other sacred texts, anonymously.  The ketubah isn’t a sacred text; rather, it is a contract and a work of folk art, and eventually I put my stamp on it, creatively and appellatively.

More significantly, Reggie made me think about the contrast between an artistic tradition based on humility and gratitude, rather than ego and self-promotion.  As I work to make a living as an artist, I need to “get the word out” about my work.  Additionally, one of my professional gigs is art coach, to help others promote their work.

There is nothing wrong with all this horn-tooting, but at times it still makes me cringe.  I keep coming back to the bedrock of all this activity:  it is all about the work.  In other words, if we just put the work out there, it will speak for itself.  And, conversely, no matter how much hoopla we make, if the work isn’t speaking to people, all the noise will fall on deaf ears.

I think you will agree, when you regard Reggie’s work (above), that it speaks with a strong, gentle, lovely voice.  See more of Reggie’s work at her website, and August 5-30 at the Wilmette Public Library, 1242 Wilmette Avenue, Wilmette, Illinois.  Opening reception:  Friday, Aug. 5, 6-8 p.m.